An Old Man in Military Costume (Man with a Plume), c.1630/31 van Rijn Rembrandt (1606-1669)

We create our paintings with museum quality and covering the highest academic standards. Once we get your order, it will be entirely hand-painted with oil on canvas. All the materials we use are the highest level, being totally artist graded painting materials and linen canvas.

We will add 1.6" (4 cm) additional blank canvas all over the painting for stretching.

High quality and detailing in every inch are time consuming. The reproduction of van Rijn Rembrandt also needs time to dry in order to be completely ready for shipping, as this is crucial to not be damaged during transportation.
Based on the size, level of detail and complexity we need 8-9 weeks to complete the process.

In case the delivery date needs to be extended in time, or we are overloaded with requests, there will be an email sent to you sharing the new timelines of production and delivery.

TOPofART wants to remind you to keep patient, in order to get you the highest quality, being our mission to fulfill your expectations.

We not stretch and frame our oil paintings due to several reasons:
Painting reproduction is a high quality expensive product, which we cannot risk to damage by sending it being stretched.
Also, there are postal restrictions, regarding the size of the shipment.
Additionally, due to the dimensions of the stretched canvas, the shipment price may exceed the price of the product itself.

You can stretch and frame your painting in your local frame-shop.

Once the painting An Old Man in Military Costume (Man with a Plume) is ready and dry, it will be shipped to your delivery address. The canvas will be rolled-up in a secure postal tube.

We offer free shipping as well as paid express transportation services.

After adding your artwork to the shopping cart, you will be able to check the delivery price using the Estimate Shipping and Tax tool.

The paintings we create are only of museum quality. Our academy graduated artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.

Rembrandt’s "An Old Man in Military Costume," painted around 1630-31, reveals the artist’s deep fascination with character and texture. The man’s face, etched with time and experience, emerges from the soft, shadowed background, capturing the viewer’s attention immediately. His features are marked by the unmistakable signs of age: deep lines around his nose and forehead, the slightly moist eyes, and the thin, wispy strands of hair in his mustache and beard. Rembrandt’s attention to the textures of aging skin is both tender and unflinching, highlighting the vulnerability and dignity of the sitter.

The old man’s military attire contrasts with his weathered face. He wears a rich, velvety cap adorned with a grand ostrich feather, and a gleaming metal breastplate. Each material is rendered with extraordinary sensitivity: the feather is soft and delicate, almost tangible in its lightness, while the breastplate shines with the cold, hard sheen of metal. These tactile contrasts reflect Rembrandt’s mastery of oil paint, creating a dialogue between textures that elevates the simplicity of the portrait.

The composition is tight, almost intimate. The figure’s three-quarter turn adds depth and a subtle sense of movement, as if the man is turning away from something unseen. His gaze, though directed slightly off to the side, feels present and immediate. This is not an idealized military hero, but a deeply human subject, lost in thought, perhaps reflecting on past battles or the passage of time. The somber, muted palette - earthy browns and cool grays - enhances the painting’s contemplative mood.

Ultimately, this portrait is less about the man’s military role and more about the exploration of humanity itself. Rembrandt imbues the work with psychological depth, capturing both the man’s strength and his fragility in a single, unified moment. The painting invites us to ponder the inevitable march of time, the weight of experience, and the dignity found in simply being.