The Apostle Paul in Prison, 1627 van Rijn Rembrandt (1606-1669)

We create our paintings with museum quality and covering the highest academic standards. Once we get your order, it will be entirely hand-painted with oil on canvas. All the materials we use are the highest level, being totally artist graded painting materials and linen canvas.

We will add 1.6" (4 cm) additional blank canvas all over the painting for stretching.

High quality and detailing in every inch are time consuming. The reproduction of van Rijn Rembrandt also needs time to dry in order to be completely ready for shipping, as this is crucial to not be damaged during transportation.
Based on the size, level of detail and complexity we need 8-9 weeks to complete the process.

In case the delivery date needs to be extended in time, or we are overloaded with requests, there will be an email sent to you sharing the new timelines of production and delivery.

TOPofART wants to remind you to keep patient, in order to get you the highest quality, being our mission to fulfill your expectations.

We not stretch and frame our oil paintings due to several reasons:
Painting reproduction is a high quality expensive product, which we cannot risk to damage by sending it being stretched.
Also, there are postal restrictions, regarding the size of the shipment.
Additionally, due to the dimensions of the stretched canvas, the shipment price may exceed the price of the product itself.

You can stretch and frame your painting in your local frame-shop.

Once the painting The Apostle Paul in Prison is ready and dry, it will be shipped to your delivery address. The canvas will be rolled-up in a secure postal tube.

We offer free shipping as well as paid express transportation services.

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The paintings we create are only of museum quality. Our academy graduated artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.

Rembrandt's "The Apostle Paul in Prison" (1627) is an intimate portrayal of contemplation, rendered in his signature interplay of light and shadow. In this painting, Paul sits humbly, deep in thought, surrounded by a sparse arrangement of belongings. His aged face, lined with wisdom and wear, is softly illuminated by a stream of light from an unseen window. This light - Rembrandt’s favored tool - doesn’t simply reveal Paul’s physical form, it becomes a metaphor for the apostle's spiritual presence. The warm golden tones of the light act as a gentle halo around his figure, emphasizing his inner reflection and the solemnity of his situation.

Paul’s clothing is modest, his robe a draped mass of muted grays, offset by the deep brown tones of his surroundings. Despite the simplicity of his attire, there is a dignity in the way his hand rests on an open book - likely referencing his letters, which became a cornerstone of Christian thought. The sword beside him, a heavy, gleaming object resting quietly on the floor, speaks to his impending martyrdom. Yet, in connection with the scattered books and papers, it also alludes to his dual legacy: one of both action and word.

Rembrandt's genius here is in the balance of quiet details that build a larger story. The shadow of prison bars, cast by the light across the back wall, reminds the viewer of Paul’s imprisonment, yet there is nothing theatrical about this confinement. The darkness that envelops the rest of the room creates an atmosphere of solitude, making Paul’s introspective gaze all the more powerful. The composition is centered, with Paul as the focus, yet it feels open and spacious, allowing the viewer to linger in the moment with him.

The painting, though restrained, is rich with texture. The roughness of the stone walls, the weathered wooden bench, the soft folds of Paul’s cloak - all rendered with Rembrandt's meticulous attention to materiality. It’s a scene of stillness, but far from lifeless. Through subtle choices in light, composition, and color, Rembrandt captures both the quiet dignity of the apostle and the weight of his spiritual journey.