Luncheon of the Boating Party, c.1880/81 Oil Painting Reproduction Location: Phillips Collection Washington USA
Pierre-Auguste Renoir (1841-1919)
Original Size: 130.1 x 175.5 cm
Oil Painting ReproductionSKU: RPA-1901
Painting Size: $679.00
Painted by Academy Graduated European Artists
+ 4cm (1.6") Borders for Stretching
Creation time: 6-7 weeks
Medium:This painting reproduction will be completely painted by hand with artist grade oil paints on a blank linen canvas. We add additional 1.6" (4cm) of blank canvas above the offered size which will be used to stretch the canvas on a stretcher-bar.
The Time it Takes to be Created:To paint your Pierre-Auguste Renoir Hand-Painted Art Reproduction time is needed. The painting should not be made too hastily, nor should any deadlines be pursued. For the painting to acquire high quality and precision of detail, time is necessary. It also needs time to dry in order to be completely ready for shipping. Depending on the complexity, the level of detail, and the size of the painting, we'll need 6-7 weeks to make the painting.
Should a change of deadlines become necessary, or should your order arrive at a time when we are overloaded with work, then we will notify you by e-mail concerning how much time we would need to complete your painting reproduction.
Shipping:We do not frame our oil painting reproductions. Hand-Painted Art Reproduction is an expensive product, and the risks of damaging a painting stretched on a frame during transportation are too high. Luncheon of the Boating Party by Renoir is, therefore, not framed, and will be sent to you rolled up and packaged in a strong and secure postal tube.
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The paintings we create are only of museum quality. Our academy graduated artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.
The Luncheon of the Boating Party
Renoir began work on the Luncheon of the Boating Party in the summer of 1881. It was a subject that he had been "itching" to paint for sometime - a merry group of friends lunching on the terrace of the Restaurant Fournaise at the Isle of Chatou on the River Seine. A friend named Baron Barbier, a good-natured regimental captain who much preferred horses to paintings, volunteered to stage-manage the affair - rounding up all Renoir's friends and even making sure the boats were properly positioned for the background. Then Renoir began to make studies and sketches on the spot. The result is an Impressionist masterpiece, filled with a spirit of "joie de vivre". But the picture marked the end of an era. Shortly afterwards Renoir changed his style.
Boats on the Seine
The boats glimpsed in the background remind us that the friends relaxing over lunch have just returned from the river.
Renoir's future wife
This young woman, shown in a remarkably natural pose, is Aline Charigot, Renoir's wife-to-be. The Restaurant Fournaise was their favourite meeting place at the time.
The Restaurant Fournaise
Sunday-trippers flocked to this restaurant near Chatou. They ate out on the first-floor terrace overlooking the Seine.
Renoir's skill as a painter is shown in this sparkling still-life. The bottles and glasses take on all the colours of the objects around them.
Friends Around the Table
M. Fournaise, the landlord, and his daughter, "the lovely Alphonsine".
Baron Barbier, in the top hat, helped Renoir round up all the friends who appear in the painting. He chats with the proprietor's son. The girl drinking is one of Renoir's favourite models, Angele, who talked non-stop while she posed.
Lestringuez, in the bowler hat-a friend fascinated by the occult and a demon hypnotist - stands with Paul Lhote. Despite being "as near-sighted as a mole", Lhote had a reputation as a ladies' man Here he flirts with the actress Jeanne Samary.
The boating enthusiast
Gustave Caillebotte, in the straw hat, was a talented artist and boating enthusiast. He is listening to the actress Ellen Andree. Behind them stands the journalist Maggiolo.
"The Impressionists reach the summit of their art when they paint our French Sundays."
Original Size: 81.3 x 100.3 cm
Location: National Gallery of Art Washington USA
Oarsmen at Chatou
Original Size: 73.5 x 92.5 cm
Location: Boston Museum of Fine Arts Massachusetts USA
The Saine at Chatou
Original Size: unknown
Location: Private Collection
The Bridge at Argenteuil in Autumn
Original Size: 99.2 x 80.6 cm
Location: The Clark Art Institute Massachusetts USA
At the Concert (Box at the Opera)