Portrait of Jacopo Strada, c.1567/68 Tiziano Vecellio Titian (c.1485-1576)

We create our paintings with museum quality and covering the highest academic standards. Once we get your order, it will be entirely hand-painted with oil on canvas. All the materials we use are the highest level, being totally artist graded painting materials and linen canvas.

We will add 1.6" (4 cm) additional blank canvas all over the painting for stretching.

High quality and detailing in every inch are time consuming. The reproduction of Tiziano Vecellio Titian also needs time to dry in order to be completely ready for shipping, as this is crucial to not be damaged during transportation.
Based on the size, level of detail and complexity we need 8-9 weeks to complete the process.

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We not stretch and frame our oil paintings due to several reasons:
Painting reproduction is a high quality expensive product, which we cannot risk to damage by sending it being stretched.
Also, there are postal restrictions, regarding the size of the shipment.
Additionally, due to the dimensions of the stretched canvas, the shipment price may exceed the price of the product itself.

You can stretch and frame your painting in your local frame-shop.

Once the painting Portrait of Jacopo Strada is ready and dry, it will be shipped to your delivery address. The canvas will be rolled-up in a secure postal tube.

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The paintings we create are only of museum quality. Our academy graduated artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.

In Titian's "Portrait of Jacopo Strada," we see not just a man but an entire ethos captured in one strikingly dynamic figure. Jacopo Strada, a prominent art dealer, antiquarian, and sometime goldsmith, is depicted here with an air of almost theatrical self-assurance. Strada sits at a table, his hand gripping a small statuette of a nude figure - an emblem of the antique world he so eagerly traded. His other hand reaches toward a spread of coins and a handwritten note, symbols of his wealth and his commercial savvy. The fur that slips from his shoulder, along with his heavy gold chain and the carefully rendered sword at his side, all speak of status, wealth, and a certain pride in the luxurious trappings of his profession.

Titian’s color choices amplify the intensity of Strada’s presence. The palette is rich yet subdued, a study in browns, reds, and dark greens, with highlights of gold and silver shimmering subtly. Strada’s red sleeve is particularly arresting, its warmth drawing the viewer’s eye immediately. The interplay of these deep colors creates a mood of opulence tinged with something more cunning, almost predatory. It’s as if the hues themselves are complicit in presenting Strada as a figure of power, one whose wealth and status may be both a source of pride and moral ambiguity.

The brushwork here is masterful, yet noticeably varied. Titian lavishes attention on the textures of the fur, the delicate embroidery of Strada’s clothing, and the gleam of the gold. The skin tones are blended with a softness that suggests the naturalism Titian was known for, while the statuette and other artifacts are painted with sharper edges, emphasizing their tactile quality. The technique reveals Titian’s deep sensitivity to materiality, capturing the sumptuous feel of wealth itself.

Compositionally, Titian has posed Strada in a position of tension, with his head turned away from his reaching arm. This opposition between arm and gaze creates a subtle yet compelling dynamism, a restlessness that seems to define Strada as a man constantly in pursuit - of wealth, of status, perhaps even of validation. The placement of the statuette at the center of this gesture hints at his fervent connection to the antiquities he traded, as if he were both a custodian and a conqueror of ancient culture. Titian’s portrayal is nuanced, leaving open the question of whether Strada’s assertiveness is something to admire or to question. It’s a portrait not just of a man but of ambition itself, draped in fur and gold.