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Venus and Adonis, c.1580 Paolo Cagliari Veronese (c.1528-1588)

Location: Prado Museum Madrid Spain
Original Size: 162 x 191 cm

Venus and Adonis, c.1580 | Veronese | Painting Reproduction

Oil Painting Reproduction

1 Review

$4451.82 USD

Condition:Unframed

SKU:VPC-16741

Painting Size:

32.3 x 39.8 in - $4452

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Description

Completely Hand Painted
Painted by European Аrtists with Academic Education
Museum Quality
+ 4 cm (1.6") Margins for Stretching
Creation Time: 8-9 Weeks
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We create our paintings with museum quality and covering the highest academic standards. Once we get your order, it will be entirely hand-painted with oil on canvas. All the materials we use are the highest level, being totally artist graded painting materials and linen canvas.

We will add 1.6" (4 cm) additional blank canvas all over the painting for stretching.

High quality and detailing in every inch are time consuming. The reproduction of Paolo Cagliari Veronese also needs time to dry in order to be completely ready for shipping, as this is crucial to not be damaged during transportation.
Based on the size, level of detail and complexity we need 8-9 weeks to complete the process.

In case the delivery date needs to be extended in time, or we are overloaded with requests, there will be an email sent to you sharing the new timelines of production and delivery.

TOPofART wants to remind you to keep patient, in order to get you the highest quality, being our mission to fulfill your expectations.

We not stretch and frame our oil paintings due to several reasons:
Painting reproduction is a high quality expensive product, which we cannot risk to damage by sending it being stretched.
Also, there are postal restrictions, regarding the size of the shipment.
Additionally, due to the dimensions of the stretched canvas, the shipment price may exceed the price of the product itself.

You can stretch and frame your painting in your local frame-shop.

Delivery

Once the painting Venus and Adonis is ready and dry, it will be shipped to your delivery address. The canvas will be rolled-up in a secure postal tube.

We offer free shipping as well as paid express transportation services.

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Museum Quality

Over 20 Years Experience

Only Museum Quality

The paintings we create are only of museum quality. Our academy graduated artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.

1 Reviews

1 Review

5.00 Overall rating

GygyVerified Reviewer

16th November 2015 9:24pm

Paolo Veronese - Venus and Adonis.

Certainly a genius in painting, Paolo Veronese maintained from the beginning to the end of his career a number of constant factors. As interpreter of certain aspirations of the culture of his time, he risked alienation from the deepest and most uneasy currents of 16th-century spirituality, pursuing his own ideal of formal perfection, which in the end is an escape. The last of Paolo's production (1570-88), however, is touched by a breath of pathos and reflects the need for meditation, which is evident not only in his choice of themes but in the evolution of his style.

But noble images were also produced in this period, such as the allegorical fables painted for Rudolph II and this idyll of Venus and Adonis. 'The two protagonists are lost in the same enchantment as Tasso's Rinaldo and Amida,' as R. Pallucchini says. And this is true especially for the enchanted atmosphere in which the artist immersed his figures: the diaphanously luminous Venus, Adonis relaxed in sleep, Cupid holding back the impatient dog. There is not, however, as in Tasso's poetry, a dramatic motive to Paolo Veronese's escapism. To appreciate this it is enough to compare the thematic development of Titian's Venus and Adonis, with its presentiment of death, and the somewhat fatuous gesture of Venus waving her fan and watching over her sleeping lover in Paolo's version. Certainly his classical inclinations, after the dissipation of his energies as a colourist in such canvases as the Marriage of St. Catherine and the Rape of Europa in the Palazzo Ducale, here again recover their beautiful equilibrium.