Art Reproductions - Canvas Prints - Oil Painting Reproductions

Alphabetical Artist Index

Art Movements Directory

The Art Movements Directory of Fine Art Reproductions is a brief summary of the main art movements, periods, styles and genres, which helps you learn more about development and history of art.

Paintings Recently Added

Aged and Cracked Art Reproductions

We can make your art reproduction to look aged and cracked as the museum original.
learn more about Aged Look Reproductions
Aged Look Art Reproductions Antiquity Look Art Reproductions Old Look Art Reproductions

Testimonials

Don't take our words for art reproductions.
Read What our Customers Say
© TOPofART 1998/2013
TOPofART at FaceBook Subscribe TOPofARTreproductions Cannel TOPofART at Vimeo TOPofART at Google+ Follow TOPofART on Pinterest Official TOPofART Blog TOPofART Remodeling and Home Design
Home / Great Artists / B / Pieter Bruegel the Elder / Biography
Biography Pieter Bruegel the Elder

Pieter Bruegel the Elder Biography


c.1525-1569


Flemish Northern Renaissance Painter


Pieter Bruegel the Elder or Brueghel (c.1525 - September 9, 1569) was a Netherlandish Renaissance painter and printmaker known for his landscapes and peasant scenes (Genre Painting). He is nicknamed 'Peasant Bruegel' to distinguish him from other members of the Bruegel dynasty, but is also the one generally meant when the context does not make clear which "Bruegel" is being referred to. From 1559 he dropped the 'h' from his name and started signing his paintings as Bruegel.

Life
There are records that he was born in Breda, Netherlands, but it is uncertain whether the Dutch town of Breda or the Belgian town of Bree, called Breda in Latin, is meant. He was the son of a peasant residing in the village of Breugel. He was an apprentice of Pieter Coecke van Aelst, whose daughter Mayken he later married. He spent some time in France and Italy, and then went to Antwerp, where in 1551 he was accepted as a master in the painters' guild. He traveled to Italy soon after, and then returned to Antwerp before settling in Brussels permanently 10 years later. He died there on 9 September 1569. Other accounts give 1590 as the date of his death.

He was the father of Pieter Bruegel the Younger and Jan Bruegel the Elder. Both became painters, but as they were very young children when their father died, neither received any training from him. According to Carel van Mander, it is likely that they were instructed by their grandmother.

Style
In Bruegel's later years he painted in a simpler style than the Italianate art that prevailed in his time. The most obvious influence on his art is the older Dutch master Hieronymus Bosch, particularly in Bruegel's early "demonological" paintings such as The Triumph of Death and Dulle Griet (Mad Meg). It was in nature, however, that he found his greatest inspirations as he is identified as being a master of landscapes. It was in these landscapes that Bruegel created a story, with almost several scenes seemingly combined in one painting. Such works can be seen in The Fall of the Rebel Angels and the previously mentioned The Triumph of Death.

Themes
Bruegel specialized in landscapes populated by peasants. He is often credited as being the first Western painter to paint landscapes for their own sake, rather than as a backdrop to a religious allegory.

Attention to the life and manners of peasants was rare in the arts in Bruegel's time. His earthy, unsentimental but vivid depiction of the rituals of village life including agriculture, hunts, meals, festivals, dances, and games are unique windows on a vanished folk culture and a prime source of iconographic evidence about both physical and social aspects of 16th century life. For example, the painting Netherlandish Proverbs illustrates dozens of then-contemporary aphorisms, and Children's Games shows the variety of amusements enjoyed by young people. His winter landscapes of 1565 are taken as corroborative evidence of the severity of winters during the Little Ice Age.

Using abundant spirit and comic power, he created some of the early images of acute social protest in art history. Examples include paintings such as The Fight Between Carnival and Lent (a satire of the conflicts of the Reformation) and engravings like The Ass in the School and Strongboxes Battling Piggybanks. On his deathbed he reportedly ordered his wife to burn the most subversive of his drawings to protect his family from political persecution.