The Story of Nastagio degli Onesti II, c.1483 Sandro Botticelli (1445-1510)

We create our paintings with museum quality and covering the highest academic standards. Once we get your order, it will be entirely hand-painted with oil on canvas. All the materials we use are the highest level, being totally artist graded painting materials and linen canvas.

We will add 1.6" (4 cm) additional blank canvas all over the painting for stretching.

High quality and detailing in every inch are time consuming. The reproduction of Sandro Botticelli also needs time to dry in order to be completely ready for shipping, as this is crucial to not be damaged during transportation.
Based on the size, level of detail and complexity we need 8-9 weeks to complete the process.

In case the delivery date needs to be extended in time, or we are overloaded with requests, there will be an email sent to you sharing the new timelines of production and delivery.

TOPofART wants to remind you to keep patient, in order to get you the highest quality, being our mission to fulfill your expectations.

We not stretch and frame our oil paintings due to several reasons:
Painting reproduction is a high quality expensive product, which we cannot risk to damage by sending it being stretched.
Also, there are postal restrictions, regarding the size of the shipment.
Additionally, due to the dimensions of the stretched canvas, the shipment price may exceed the price of the product itself.

You can stretch and frame your painting in your local frame-shop.

Once the painting The Story of Nastagio degli Onesti II is ready and dry, it will be shipped to your delivery address. The canvas will be rolled-up in a secure postal tube.

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The paintings we create are only of museum quality. Our academy graduated artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.

What an extraordinary piece of storytelling in paint. Botticelli's "The Story of Nastagio degli Onesti II" (c. 1483) offers a perfect balance of medieval brutality and the artist's signature elegance. The painting presents a hauntingly vivid episode from Boccaccio’s *Decameron*, and Botticelli, ever the maestro of myth and allegory, brings this macabre vision to life with precision and grace.

We’re immediately struck by the dense verticality of those towering, slender pine trees, their trunks forming a visual grid that slices the composition into neat segments. These trees are like silent sentinels, unmoved by the horror unfolding at their feet. Notice how Botticelli uses these arboreal pillars to create a rhythm - both natural and rigid - giving the chaotic scene an unnerving order. It's unsettling, really, this dance between control and violence. Amidst the straight lines of the trees, the figures twist and writhe, breaking that strict geometry. There’s the knight, with his cloak aflame in reds and oranges, relentlessly attacking a fallen woman, her form draped helplessly on the forest floor.

The palette is rich but controlled. Reds, browns, and soft greens dominate, grounding the fantastical elements in the kind of earthy realism that makes the scene all the more disturbing. Those reds - just look at them. They leap off the canvas, almost visceral in their intensity. The pale woman’s nude body is a stark contrast, her skin almost too luminous, too fragile against the dark, unfeeling forest.

Compositionally, Botticelli orchestrates the chaos with surgical precision. The action is concentrated toward the center, the violence unfolding within a sea of calm, as though nature - and the distant horizon - remains indifferent to human cruelty. And in that contrast, Botticelli captures something essential about life: its indifferent, rhythmic cruelty.

This painting doesn’t merely illustrate a story - it traps you inside it.