Tall Poplars II (Approaching Thunderstorm), 1903 Gustav Klimt (1862-1918)

We create our paintings with museum quality and covering the highest academic standards. Once we get your order, it will be entirely hand-painted with oil on canvas. All the materials we use are the highest level, being totally artist graded painting materials and linen canvas.

We will add 1.6" (4 cm) additional blank canvas all over the painting for stretching.

High quality and detailing in every inch are time consuming. The reproduction of Gustav Klimt also needs time to dry in order to be completely ready for shipping, as this is crucial to not be damaged during transportation.
Based on the size, level of detail and complexity we need 8-9 weeks to complete the process.

In case the delivery date needs to be extended in time, or we are overloaded with requests, there will be an email sent to you sharing the new timelines of production and delivery.

TOPofART wants to remind you to keep patient, in order to get you the highest quality, being our mission to fulfill your expectations.

We not stretch and frame our oil paintings due to several reasons:
Painting reproduction is a high quality expensive product, which we cannot risk to damage by sending it being stretched.
Also, there are postal restrictions, regarding the size of the shipment.
Additionally, due to the dimensions of the stretched canvas, the shipment price may exceed the price of the product itself.

You can stretch and frame your painting in your local frame-shop.

Once the painting Tall Poplars II (Approaching Thunderstorm) is ready and dry, it will be shipped to your delivery address. The canvas will be rolled-up in a secure postal tube.

We offer free shipping as well as paid express transportation services.

After adding your artwork to the shopping cart, you will be able to check the delivery price using the Estimate Shipping and Tax tool.

The paintings we create are only of museum quality. Our academy graduated artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.

A dark column of poplar rises like a held breath, its edge trembling against a sky that has already started to bruise. Klimt gives you no leisurely lead-in. You are right there, facing weather that is changing its mind.

Across the bottom runs a narrow strip of meadow, low and insistent. It is not painted as grass so much as assembled from countless pinpricks of brown, rust-red, and green, little touches that lock together into an ornamental field. That dotting has the hypnotic patience of looking for patterns in gravel. Above it, the horizon sits unusually low, leaving the real drama to happen in the air: a cool, grey-blue expanse, scumbled and cloudy, where light seems muffled rather than absent.

Then comes that poplar mass, pressed hard to the right, as if the whole stand has leaned away from the oncoming storm. Klimt builds the foliage out of flickering colour - ember-reds, deep greens, sooty blues - until it takes on a speckled quality that makes Ludwig Hevesi’s comparison to trout skin feel exactly right. One detail I love: along the outer edge, the marks tighten into a fine, peppery fringe, giving the tree a quiver, a nervous system.

Near the base, almost hidden, a small chapel sits where the painting’s quiet geometry clicks into place - the vertical thrust of the poplars meeting the long horizontal of meadow and distance. It is a modest form, but it steadies everything. Perhaps one might imagine it as a human measure in a landscape that otherwise refuses comfort.

Klimt is often filed under Vienna Secession and pattern, yet here the pattern carries weather, and weather carries feeling. The flattening and the ornamental surface recall Monet’s later poplars in spirit, but this is cooler, tenser, more private. Standing before Tall Poplars II (Approaching Thunderstorm) at the Leopold Museum vienna, you can almost hear the hush that arrives just before rain - that charged, metallic stillness when the world pauses and waits.