Woman with a Parasol - Madame Monet and Her Son, 1875 Claude Monet (1840-1926)

We create our paintings with museum quality and covering the highest academic standards. Once we get your order, it will be entirely hand-painted with oil on canvas. All the materials we use are the highest level, being totally artist graded painting materials and linen canvas.

We will add 1.6" (4 cm) additional blank canvas all over the painting for stretching.

High quality and detailing in every inch are time consuming. The reproduction of Claude Monet also needs time to dry in order to be completely ready for shipping, as this is crucial to not be damaged during transportation.
Based on the size, level of detail and complexity we need 8-9 weeks to complete the process.

In case the delivery date needs to be extended in time, or we are overloaded with requests, there will be an email sent to you sharing the new timelines of production and delivery.

TOPofART wants to remind you to keep patient, in order to get you the highest quality, being our mission to fulfill your expectations.

We not stretch and frame our oil paintings due to several reasons:
Painting reproduction is a high quality expensive product, which we cannot risk to damage by sending it being stretched.
Also, there are postal restrictions, regarding the size of the shipment.
Additionally, due to the dimensions of the stretched canvas, the shipment price may exceed the price of the product itself.

You can stretch and frame your painting in your local frame-shop.

Once the painting Woman with a Parasol - Madame Monet and Her Son is ready and dry, it will be shipped to your delivery address. The canvas will be rolled-up in a secure postal tube.

We offer free shipping as well as paid express transportation services.

After adding your artwork to the shopping cart, you will be able to check the delivery price using the Estimate Shipping and Tax tool.

The paintings we create are only of museum quality. Our academy graduated artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.

"Woman with a Parasol - Madame Monet and Her Son" encapsulates a fleeting moment that feels as spontaneous as a breath of fresh air. Claude Monet captures his wife Camille and their son Jean, not in the stiff confines of a formal portrait, but mid-stroll on a sunlit hillside. The whole composition vibrates with movement - from the flutter of Camille's veil to the dance of sunlight across the grassy knoll.

The parasol, a vivid moss-green, anchors the upper portion of the painting, nearly grazing the edge of the canvas as if about to float off entirely. Camille’s delicate frame, swathed in pale blues and whites, emerges from a whirlwind of brushstrokes. Her dress flutters with the breeze, suggested through sweeping, confident strokes that hint at the ephemeral nature of the moment. And then there's the shadow - a diagonal cascade across the grass that brings depth and a sense of presence to the airy scene.

Monet plays with light in a way that feels effortless. The sun beams down, creating soft, diffused reflections on Camille's dress and the parasol. Those hints of yellow on her sleeve? They mirror the buttercups dotting the grass beneath her feet - nature reflecting on fabric, light transforming color. Everything feels interconnected, like one harmonious, sunlit symphony.

But it’s not just about Camille. Jean, standing slightly further back, almost half-hidden by the grass, feels both part of the scene and yet distant - as though caught in a daydream. His expression is unreadable, leaving the viewer to wonder if he’s aware of the moment being captured or simply lost in his own thoughts. His straw hat, white jacket, and the almost exaggerated shortness of Monet's brushstrokes around him give the impression of a boy half-melded into the landscape.

The sky, too, is worth pausing over. Monet doesn't paint a placid, clear sky, but one filled with texture - choppy, loose strokes of blues and whites that suggest the movement of clouds. You can almost feel the air shifting, the wind moving through the grass and stirring the parasol above.

Executed with a series of rapid, fluid strokes, the whole painting feels alive. It's as if Monet wasn’t just painting the figures, but the atmosphere, the wind, the sunlight - all at once. There’s a chaos to it, but it’s an organized chaos, capturing the transient beauty of an ordinary moment. The work reads like a celebration of light and nature - but not in the grandiose, bombastic sense. Rather, it’s a celebration of the delicate, fleeting connections between people, nature, and the elements surrounding them.

Monet’s hallmark technique of painting directly from life shines through, as he clearly worked swiftly, perhaps in just a few hours. Yet, despite its apparent simplicity, the painting is rich with complexity. "Woman with a Parasol" isn't just a pretty scene; it's a masterful interplay of light, color, and emotion - a moment captured, but never truly frozen.