Self Portrait at 26, 1498 Albrecht Durer (1471-1528)

We create our paintings with museum quality and covering the highest academic standards. Once we get your order, it will be entirely hand-painted with oil on canvas. All the materials we use are the highest level, being totally artist graded painting materials and linen canvas.

We will add 1.6" (4 cm) additional blank canvas all over the painting for stretching.

High quality and detailing in every inch are time consuming. The reproduction of Albrecht Durer also needs time to dry in order to be completely ready for shipping, as this is crucial to not be damaged during transportation.
Based on the size, level of detail and complexity we need 8-9 weeks to complete the process.

In case the delivery date needs to be extended in time, or we are overloaded with requests, there will be an email sent to you sharing the new timelines of production and delivery.

TOPofART wants to remind you to keep patient, in order to get you the highest quality, being our mission to fulfill your expectations.

We not stretch and frame our oil paintings due to several reasons:
Painting reproduction is a high quality expensive product, which we cannot risk to damage by sending it being stretched.
Also, there are postal restrictions, regarding the size of the shipment.
Additionally, due to the dimensions of the stretched canvas, the shipment price may exceed the price of the product itself.

You can stretch and frame your painting in your local frame-shop.

Once the painting Self Portrait at 26 is ready and dry, it will be shipped to your delivery address. The canvas will be rolled-up in a secure postal tube.

We offer free shipping as well as paid express transportation services.

After adding your artwork to the shopping cart, you will be able to check the delivery price using the Estimate Shipping and Tax tool.

The paintings we create are only of museum quality. Our academy graduated artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.

In this remarkable self-portrait, Albrecht Dürer presents himself with an air of quiet confidence that belies his youthful 26 years. The painting is a testament to the artist's growing mastery and self-assurance, captured at a pivotal moment in his career.

Dürer's gaze meets ours directly, his expression serene yet intense. His features are finely rendered - the aquiline nose, full lips, and those piercing eyes framed by flowing golden-brown curls that cascade past his shoulders. The artist's attire speaks to his rising status - a crisp white shirt with a low square neckline, overlaid with a brown and black striped jacket. A jaunty cap perched at an angle adds a touch of flair.

The composition is a study in geometry and balance. Dürer places himself slightly off-center, the curve of his shoulder echoing the arched window frame behind him. Through that window, we glimpse a distant landscape - rolling hills and craggy mountains beneath a blue sky dotted with clouds. It's a clever nod to the artist's skill with both portraiture and landscape.

Dürer's technique here is nothing short of virtuosic. The play of light across his face and hands is exquisitely rendered, lending a three-dimensional quality to the figure. Notice the subtle shadows cast by his curls, the glint of light on his earring. The textures are equally impressive - from the softness of skin to the crisp folds of fabric to the gleam of fur trim on his jacket.

The color palette is restrained yet rich. Warm browns and creams dominate, punctuated by the stark white of Dürer's shirt and the touches of blue in the landscape. This creates a harmonious whole while drawing our eye to the artist's face - the true focal point of the work.

What's most striking, perhaps, is the sense of presence Dürer achieves. This isn't just a likeness, but a window into the artist's very essence. We see a young man on the cusp of greatness, aware of his talents yet still hungry to push the boundaries of his art. It's a portrait that speaks across the centuries, as fresh and immediate today as it was in 1498.