The 3rd of May 1808 in Madrid, 1814 | Goya | Painting Reproduction
The 3rd of May 1808 in Madrid, 1814 | Goya | Painting Reproduction
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The 3rd of May 1808 in Madrid, 1814 Oil Painting Reproduction
Francisco de Goya (1746-1828)

Location: Prado Museum Madrid Spain
Original Size: 268 x 347 cm
5/5 | 1 Review

Oil Painting Reproduction

SKU: GOY-16852
Painting Size: $2275.00
Entirely Hand-Painted
Painted by Academy Graduated European Artists
Only Museum-Quality
+ 4cm (1.6") Borders for Stretching
Creation time: 6-8 weeks
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This painting reproduction will be completely painted by hand with artist grade oil paints on a blank linen canvas. We add additional 1.6" (4cm) of blank canvas above the offered size which will be used to stretch the canvas on a stretcher-bar.

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To paint your Francisco de Goya Hand-Painted Art Reproduction time is needed. The painting should not be made too hastily, nor should any deadlines be pursued. For the painting to acquire high quality and precision of detail, time is necessary. It also needs time to dry in order to be completely ready for shipping. Depending on the complexity, the level of detail, and the size of the painting, we'll need 6-8 weeks to make the painting.
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We do not frame our oil painting reproductions. Hand-Painted Art Reproduction is an expensive product, and the risks of damaging a painting stretched on a frame during transportation are too high. The 3rd of May 1808 in Madrid by Goya is, therefore, not framed, and will be sent to you rolled up and packaged in a strong and secure postal tube.
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Reviews (1)


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Gygy
Francisco José de Goya y Lucientes - "The Third of May 1808" or "The Executions"

The scene represents an episode in the reprisals of the French troops. A mass execution is taking place. Three dead bodies lie in the blood; a monk and five men on the left are receiving the volley. Near them, coming up along the wall illuminated by a lantern, is another file of the condemned. It is night; against the dark sky, a church and some houses; in the foreground, circled with penetrating light and cast shadows, the brutal, merciless execution.

Our attention is attracted by the figure of the condemned man in a white shirt with his arms raised who is defying the killers, bent over and absorbed in taking aim, while the monk prays and other men make despairing gestures. It is an evocation terrible in its incisiveness, almost premonitory of more recent episodes of ferocious and indiscriminate massacre. And certainly, without a great ethical force, a profound intuition of man's barbarism, Goya could not have expressed with such Homeric gravity this supreme moment in which the millennial cult of violence and death is celebrated. His human participation in the event is grasped in the picture's atmosphere of a tragedy that has been suffered.

This is not the case in Manet's Execution of Maximilian, which was inspired by Goya's work. In Manet's painting a sort of sceptical detachment prevails, with the interest in the pictorial problem serenely dominating all else; a feeling that has no part in this terrible, fulminating epic of modern barbarism.
10th June 2016 4:11pm

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